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https://w.atwiki.jp/touhoukashi/pages/521.html
【登録タグ E Jealousy Unlucky Morpheus ほおずきみたいに紅い魂 天外冬黄 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/6213.html
【登録タグ 】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/242.html
【登録タグ L イオシス 今昔幻想郷 ～ Flower Land 曲 東方萃翠酒酔 桜子 此岸の塚】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/jasagiri/pages/68.html
RFC：http //www5d.biglobe.ne.jp/~stssk/rfcjlist.html 規格対応エレメント表 http //meiert.com/en/indices/html-elements/ html5 http //www.html5.jp/ URI-Templates http //bitworking.org/projects/URI-Templates/ http //builder.japan.zdnet.com/sp/firefox-3-for-developer-2008/ StatusCode http //www.studyinghttp.net/status_code http //thoughtpad.net/alan-dean/http-headers-status.html http //d.hatena.ne.jp/IwamotoTakashi/20090429/p1 REST 何がRESTを良くするか：http //www.infoq.com/jp/news/2008/11/rest-api RESTfullなアプリケーションを記述する：http //www.infoq.com/jp/articles/subbu-allamaraju-rest REST API デザイン http //www.25hoursaday.com/weblog/2008/10/24/RESTAPIDesignInventMediaTypesNotProtocolsAndUnderstandTheImportanceOfHyperlinks.aspx OpenID：http //code.google.com/p/openidengine/ ：http //www.atmarkit.co.jp/fsecurity/rensai/openid01/openid01.html ：http //www.goodpic.com/mt/archives2/2008/01/openid_oauth.html ：http //d.hatena.ne.jp/lyokato/20080816/1218866900 OAuth：http //www.atmarkit.co.jp/fsecurity/special/106oauth/oauth01.html
https://w.atwiki.jp/cheapugg058/pages/18.html
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ACTE DEUXIÈME （A l Abbaye de Cluny, dans la salle d études. Tables, pupitres, chevalets. Se détachant bien en vue, nouvellement achevée, une statue de la Vierge qu un moine est en train de colorier. Elle a les mains croisées sur la poitrine, dans une attitude mystique d indulgence et d amour. Groupés autour de Moine Musicien, les Moines achèvent de répéter sous sa direction un hymne à la Vierge qu il a composé pour la circonstance c est le matin de l Assomption. Le Moine Musicien enseigne le chant exact, les Moines répètent selon les indications, lorsqu ils commettent une erreur, le Moine Musicien arrête et corrige en chantant le passage） ▼LE MOINE MUSICIEN, LES MOINES▲ Ave rosa… speciosa… ▼LE MOINE MUSICIEN▲ Non! （avec intention） speciosa, ▼LES MOINES▲ … speciosa, ▼LE MOINE MUSICIEN▲ Bien! Très bien! ▼LES MOINES▲ Ave mater humi… ▼LE MOINE MUSICIEN▲ Non! （avec intention, en rectifiant l erreur commise） Ave mater humilium, lium… ▼LES MOINES▲ Ave mater humilium, Superis… ▼LE MOINE MUSICIEN▲ （en exagérant la nuance pour mieux la faire comprendre） … -ris, ▼LES MOINES▲ … imperiosa. ▼LE MOINE MUSICIEN▲ （arrêtant） Non! Superis imperiosa… osa… imperiosa. （Un Moine joue d un orgue portatif ou «régale» qu un autre Moine tient dans ses bras） ▼JEAN▲ （rêveur, à l écart） La cuisine est bonne au couvent… Moi qui ne dînais pas souvent, Je bois bon vin, Je mange viandes grasses, Jour glorieux! Aujourd hui la Vierge monte aux cieux; Et pour Elle on répète un cantique de grâces… （avec tristesse） Un cantique en latin! ▼LES MOINES▲ Ave coeleste lilium, Ave rosa speciosa, In hac valle lacrymarum, Da robur, fer auxilium. Ave coeleste lilium, Ave rosa speciosa, In hac valle lacrymarum, Da robur, fer auxilium. ▼JEAN▲ （avec élan） Reine des anges, （comme une prière） O vous à qui je dois grasse viande et bon vin, Je voudrais avec eux célébrer vos louanges… Hélas! je ne sais pas chanter latin… ▼LE PRIEUR▲ Mes frères, c est très bien. （au Moine Musicien） Compliments à l auteur. （au Moine Poète, auteur des paroles de l hymne et qui s avance jaloux） Au poète aussi. （Les Moines reprennent chacun, dans la salle d études, leur place et leur travail; les uns peignent, les autres sculptent ou modèlent, d autres copient sur vélin, etc. Dans un coin, modestement, Boniface épluche des légumes. Calme recueillement） （à Jean） Mais dans ce coin solitaire, Seul, vous ne chantez pas, vous, un ancien chanteur? ▼JEAN▲ （timidement） Pardonnez-moi, mon Père, Mais, hélas, je ne sais Que profanes chansons en vulgaire français. （Quelques Moines s approchent de Jean et le plaisantent） ▼LES MOINES▲ Oh! Frère Jean! Quelles paresse! Comme il engraisse! Oh! Frère Jean! voyez, voyez, comme il engraisse! Oh! Sentez-vous son ventre pousser? ▼BONIFACE▲ （intervenant avec bienveillance） Eh bien quoi! Frère Jean aimes les bonnes choses. ▼LE PRIEUR▲ （doucement, avec malice） A la Vierge sans doute il offre ce matin, Comme un bouquet, la fraîcheur de son teint Tout fleuri de lis et de roses. （Tous les Moines autour de Jean, sauf Boniface et les 4 Moines artistes） ▼LES MOINES▲ Frère Jean, dormez-vous… ▼JEAN▲ （avec sentiment） Ah! mes frères je connais ma triste indignité Jour et nuit je la pleure. （avec sincérité et emportement） Vous me raillez, c est peu. Votre courroux, sur l heure, devrait （à volonté） m anéantir je l ai bien mérité. Hélas! Depuis qu en ce convent prospère, Me guidant de sa blanche main, La Vierge, secourable Mère, Permet que je mange à ma faim. Ai-je un seul jour gagné mon pain? Non, non, jamais ouvre méritoire… （expressif） jamais… Ne témoigne au ciel mon amour. （en s accusant avec un ton de reproche） Moine ignorant, （de même） Moine balourd, （avec nonchalance） Je ne sais rien qu au réfectoire Boire et manger, manger et boire, ▼TOUS LES MOINES▲ （sauf Le Prieur, Boniface et les 4 Moines artistes, avec nonchalance） Jean ne sait rien qu au réfectoire Boire et manger, manger et boire. ▼JEAN▲ Chacun, dans la sainte maison, Sert Notre Dame d un grand zèle; Il n est pas si petit clergeon Qui ne sache entonner pour Elle Verset ou psaume à la chapelle. （expressif, douloureux） Et moi, qui recevrais la mort D un coeur si joyeux, pour sa gloire, Hélas, hélas, quel affreux sort! ▼LES MOINES▲ （avec nonchalance） Jean ne sait rien qu au réfectoire… ▼JEAN▲ （s accusant） Boire et manger, manger et boire. ▼LES MOINES▲ Boire et manger, manger et boire. ▼JEAN▲ （au Prieur, avec un chaleureuse décision） Ah! chassez-moi, chassez-moi, mon Père, （tristement） Je crains de vous porter malheur… （rude et avec une amère bravoure） Allons, Jongleur, reprends ta besace （découragé） et reprends ta misère! ▼LE MOINE SCULPTEUR▲ （avec dédain） Jongleur, piteux métier. （ironique） Deviens plutôt sculpteur. Tu seras mon élève. （désignant une statuette qu il tient dans ses mains） Vois Des flancs du marbre se lève. Eveillé d un ciseau pieux, Le charme de la Reine au front délicieux. Vois… Je la crée à mon tour, moi, sa créature, Gagnant la Gloire avec les cieux. （hautain） Rien ne vaut la sculpture! ▼LE MOINE PEINTRE▲ Vous oubliez, mon frère, la Peinture… （à Jean） Jean, sois mon élève, Le marbre inanimé ne peut donner la vie; Mais sous le pinceau tout puissant, （désignant la statue de la Vierge qu il est en train de peindre） Tu la vois palpiter, frémissante… asservie Aux lèvres qu elle empourpre, aux yeux dans le regard. ▼LE MOINE SCULPTEUR▲ （avec emportement et dédain） Le grand art, c est la Sculpture. ▼LE MOINE POÈTE▲ Non pas, à la place d honneur ne doit s asseoir que Poésie. （avec religion） C est ma Dame et je suis son fervent serviteur. Votre art est bien grossier; D essence plus choisie Le Piète, fixant le vol de l esprit pur, L enferme, tout vibrant, aux vers d or et d azur. Gloire à la poésie! ▼LE MOINE PEINTRE▲ （fièrement） Le grand art, c est la Peinture! ▼LE MOINE SCULPTEUR▲ （rudement） Le grand art, c est la Sculpture! la Sculpture! ▼LE MOINE PEINTRE▲ … la Peinture! ▼LE MOINE SCULPTEUR▲ … la Sculpture! ▼LE MOINE PEINTRE▲ … la Peinture! ▼LE MOINE SCULPTEUR▲ Non! non! ▼LE MOINE PEINTRE▲ Non! ▼LE PRIEUR▲ （intervenant） Mes frères, calmons-nous. ▼LE MOINE MUSICIEN▲ （approchant） Pour moi, je me figure que mon art seul peut vous mettre d accord… （comme extasié） Voyez de quel ardent essor, Tandis que vous rampez à terre, La musique va droit au ciel… Voix de l inexprimable, écho du grand Mystère, C est l Oiseau Bleu qui vient du Rivage Eternel, Et c est la Blanche Nef sur l océan du Rêve… Que fait aux cieux un Séraphin? Il chante, encore, et toujours, et sans trêve. La Musique est un Art divin! ▼LE MOINE PEINTRE▲ （avec suffisance） Non, le grand Art, c est la Peinture! ▼LE MOINE SCULPTEUR▲ （avec suffisance） Non, le grand Art, c est la Sculpture! ▼LE MOINE MUSICIEN▲ （avec conviction） O Musique, Reine des arts! ▼LE MOINE PEINTRE▲ （avec dédain） Des maçons, les sculpteurs! Non! non! Le grand art, c est la Peinture! ▼LE MOINE SCULPTEUR▲ Des barbouilleurs, les peintres! Non! le grand art, c est la Sculpture! ▼LE MOINE MUSICIEN▲ （avec dédain） Un bavard, le Poète! Bavard! Bavard! Bavard! Bavard! O Poète!! bavard! ▼LE MOINE POÈTE▲ （avec conviction） Poésie, ô Reine des arts! （ironique） La musique adoucit les moeurs! voyez! O musique, Reine des arts! ▼JEAN▲ （avec effroi） Grand Dieu, grand Dieu, quelle tempête! quelle tempête! ▼LE PRIEUR▲ （suppliant） Mes frères! mes frères! （avec autorité） Calmons-nous! calmons-nous! Quoi, mes frères, dans cet asile la discorde! «Agitans discordia fratres, » c est le mot de Virgile. Par ordre d Apollon, par ordre de Prieur, Que la Muse à la Muse offre un baiser de sœur; （Les quatre rivaux s embrassent, mais de mauvais gré） Et venez tous à la chapelle, Aux pieds de Notre Dame, et plus humbles de cœur, La prier d accueillir son Image nouvelle. （Emportant la statue de la Vierge les Moines se retirent avec Le Prieur en rechantant l hymne; le Moine Musicien bat la mesure） ▼LES MOINES▲ （sauf Le Prieur, Boniface et Jean） Ave coeleste lilium, Ave rosa speciosa, In hac valle lacrymarum Da robur, fer auxilium. （Les Voix se perdent dans le silence du monastère. Jean et Boniface restent seuls. Jean assis, la tête dans ses mains. Boniface reprenant sa tâche en épluchant des légumes） ▼JEAN▲ （vague et pensif） Seul, je n offre rien à Marie. ▼BONIFACE▲ Va, ne les envie. Tous vois-tu, （en s animant） des orgueilleux Et le Paradis, ça n est pas pour eux! ▼JEAN▲ （avec un geste découragé） Le paradis! ▼BONIFACE▲ S il faut s enfler de gloire Quand je prépare un bon repas, Je fais œuvre aussi méritoire, Sculpteur, je le suis en nougats; Peintre, par la couleur si douce de mes crèmes; Un chapon cuit à point vaut, seul, mille poèmes, Et quelle symphonie à ravir terre et cieux Qu une table où préside un ordre harmonieux! ▼JEAN▲ （très convaincu） Certainement. ▼BONIFACE▲ （un peu fat） Mais pour plaire à Marie, Je reste simple. ▼JEAN▲ Simple, hélas, Je le suis trop… Elle aime qu on la prie En ce latin que je ne connais pas. ▼BONIFACE▲ Et moi si peu… Latin de cuisine… Est-ce là ton souci? （naïvement） La Vierge entend fort bien, va, le français aussi; Sa tendresse au besoin devine. Pour les humbles, Marie a des bontés de soeur; Et j ai lu dans un livre une histoire divine Où l on voit clairement qu elle a donné son coeur A la plus simple, à la plus humble fleur. Légende du "sagebush" «Marie avec l Enfant Jésus Par les monts, par les plaines fuit…» «Mais l âme essoufflé n en peut plus; «Et voici que là-bas, là-bas, au versant de la côte, ont apparu soudain Les sanglants cavaliers du Roi tueur d enfants.» （déchirant） «Mon fils, ô mon fils, où cacher ta faiblesse!» «Fleurissait une Rose au bord de chemin » «Sois bonne, belle Rose, à mon enfant pour s y blottir, Ouvre tout large ton calice. «Sauve mon Jésus de mourir.» «Mais de peur de froisser l incarnat de sa robe, L orgueilleuse répond «Je ne veux pas m ouvrir.» «Fleurissait une sauge au bord du chemin «Sauge ma petite saugette, Ouvre ta feuille à mon enfant. Ouvre à mon enfant.» «Et la bonne fleurette ouvre si bien sa feuille Qu au fond de ce berceau Jésus va s endormir…» ▼JEAN▲ （tendrement, à part） O miracle d amour! ▼BONIFACE▲ «Et la Vierge bénie entre toutes les femmes A béni l humble sauge entre toutes les fleurs.» （à part, très convaincu） La sauge est en effet précieuse en cuisine. ▼JEAN▲ （à part, les yeux au ciel, s exaltant） Si votre blanche main me bénissait un jour! （ardent） Vienne la mort, mourir sous vos yeux, quelle fête! ▼BONIFACE▲ （de belle humeur） Nous fêterons d abord le dîner que j apprête. （avec précipitation） Mais je cours à mon dindonneau… （revenant aussitôt） Car je plais à la Vierge en veillant au fourneau. Jésus n a-t-il pas, d un égal sourire, Reçu des Mages Rois l or, l encens et la myrrhe, Et du pauvre berger un air de chalumeau. （Il sort en courant） ▼JEAN▲ （resté seul et répétant vaguement les paroles de Boniface） Et du pauvre berger un air de chalumeau… （en extase, comme écoutant des voix célestes, à lui-même, à voix basse, avec une profonde émotion, parlé） Quel trait de soudaine lumière… （de même） et dans mon cœur quel émoi! （plus accentué dans l émotion） Il a raison… La Vierge n est pas fière Le Berger, le jongleur vaut à ses yeux le Roi. （avec ferveur et conviction） Vierge, mère d amour, Vierge, Bonté suprême, Comme à l air du berger souriait l Enfant-Dieu, （palpitant） Si le jongleur osait vous honorer de même, Daignez sourire au seuil des cieux! O Vierge! ô Vierge, mère d amour! （Jean reste dans cette attitude de pieuse invocation. Rideau. L Orchestre continue et l on enchaîne la Pastorale avec le 3e Acte） ACTE DEUXIÈME (A l Abbaye de Cluny, dans la salle d études. Tables, pupitres, chevalets. Se détachant bien en vue, nouvellement achevée, une statue de la Vierge qu un moine est en train de colorier. Elle a les mains croisées sur la poitrine, dans une attitude mystique d indulgence et d amour. Groupés autour de Moine Musicien, les Moines achèvent de répéter sous sa direction un hymne à la Vierge qu il a composé pour la circonstance c est le matin de l Assomption. Le Moine Musicien enseigne le chant exact, les Moines répètent selon les indications, lorsqu ils commettent une erreur, le Moine Musicien arrête et corrige en chantant le passage) LE MOINE MUSICIEN, LES MOINES Ave rosa… speciosa… LE MOINE MUSICIEN Non! (avec intention) speciosa, LES MOINES … speciosa, LE MOINE MUSICIEN Bien! Très bien! LES MOINES Ave mater humi… LE MOINE MUSICIEN Non! (avec intention, en rectifiant l erreur commise) Ave mater humilium, lium… LES MOINES Ave mater humilium, Superis… LE MOINE MUSICIEN (en exagérant la nuance pour mieux la faire comprendre) … -ris, LES MOINES … imperiosa. LE MOINE MUSICIEN (arrêtant) Non! Superis imperiosa… osa… imperiosa. (Un Moine joue d un orgue portatif ou «régale» qu un autre Moine tient dans ses bras) JEAN (rêveur, à l écart) La cuisine est bonne au couvent… Moi qui ne dînais pas souvent, Je bois bon vin, Je mange viandes grasses, Jour glorieux! Aujourd hui la Vierge monte aux cieux; Et pour Elle on répète un cantique de grâces… (avec tristesse) Un cantique en latin! LES MOINES Ave coeleste lilium, Ave rosa speciosa, In hac valle lacrymarum, Da robur, fer auxilium. Ave coeleste lilium, Ave rosa speciosa, In hac valle lacrymarum, Da robur, fer auxilium. JEAN (avec élan) Reine des anges, (comme une prière) O vous à qui je dois grasse viande et bon vin, Je voudrais avec eux célébrer vos louanges… Hélas! je ne sais pas chanter latin… LE PRIEUR Mes frères, c est très bien. (au Moine Musicien) Compliments à l auteur. (au Moine Poète, auteur des paroles de l hymne et qui s avance jaloux) Au poète aussi. (Les Moines reprennent chacun, dans la salle d études, leur place et leur travail; les uns peignent, les autres sculptent ou modèlent, d autres copient sur vélin, etc. Dans un coin, modestement, Boniface épluche des légumes. Calme recueillement) (à Jean) Mais dans ce coin solitaire, Seul, vous ne chantez pas, vous, un ancien chanteur? JEAN (timidement) Pardonnez-moi, mon Père, Mais, hélas, je ne sais Que profanes chansons en vulgaire français. (Quelques Moines s approchent de Jean et le plaisantent) LES MOINES Oh! Frère Jean! Quelles paresse! Comme il engraisse! Oh! Frère Jean! voyez, voyez, comme il engraisse! Oh! Sentez-vous son ventre pousser? BONIFACE (intervenant avec bienveillance) Eh bien quoi! Frère Jean aimes les bonnes choses. LE PRIEUR (doucement, avec malice) A la Vierge sans doute il offre ce matin, Comme un bouquet, la fraîcheur de son teint Tout fleuri de lis et de roses. (Tous les Moines autour de Jean, sauf Boniface et les 4 Moines artistes) LES MOINES Frère Jean, dormez-vous… JEAN (avec sentiment) Ah! mes frères je connais ma triste indignité Jour et nuit je la pleure. (avec sincérité et emportement) Vous me raillez, c est peu. Votre courroux, sur l heure, devrait (à volonté) m anéantir je l ai bien mérité. Hélas! Depuis qu en ce convent prospère, Me guidant de sa blanche main, La Vierge, secourable Mère, Permet que je mange à ma faim. Ai-je un seul jour gagné mon pain? Non, non, jamais ouvre méritoire… (expressif) jamais… Ne témoigne au ciel mon amour. (en s accusant avec un ton de reproche) Moine ignorant, (de même) Moine balourd, (avec nonchalance) Je ne sais rien qu au réfectoire Boire et manger, manger et boire, TOUS LES MOINES (sauf Le Prieur, Boniface et les 4 Moines artistes, avec nonchalance) Jean ne sait rien qu au réfectoire Boire et manger, manger et boire. JEAN Chacun, dans la sainte maison, Sert Notre Dame d un grand zèle; Il n est pas si petit clergeon Qui ne sache entonner pour Elle Verset ou psaume à la chapelle. (expressif, douloureux) Et moi, qui recevrais la mort D un coeur si joyeux, pour sa gloire, Hélas, hélas, quel affreux sort! LES MOINES (avec nonchalance) Jean ne sait rien qu au réfectoire… JEAN (s accusant) Boire et manger, manger et boire. LES MOINES Boire et manger, manger et boire. JEAN (au Prieur, avec un chaleureuse décision) Ah! chassez-moi, chassez-moi, mon Père, (tristement) Je crains de vous porter malheur… (rude et avec une amère bravoure) Allons, Jongleur, reprends ta besace (découragé) et reprends ta misère! LE MOINE SCULPTEUR (avec dédain) Jongleur, piteux métier. (ironique) Deviens plutôt sculpteur. Tu seras mon élève. (désignant une statuette qu il tient dans ses mains) Vois Des flancs du marbre se lève. Eveillé d un ciseau pieux, Le charme de la Reine au front délicieux. Vois… Je la crée à mon tour, moi, sa créature, Gagnant la Gloire avec les cieux. (hautain) Rien ne vaut la sculpture! LE MOINE PEINTRE Vous oubliez, mon frère, la Peinture… (à Jean) Jean, sois mon élève, Le marbre inanimé ne peut donner la vie; Mais sous le pinceau tout puissant, (désignant la statue de la Vierge qu il est en train de peindre) Tu la vois palpiter, frémissante… asservie Aux lèvres qu elle empourpre, aux yeux dans le regard. LE MOINE SCULPTEUR (avec emportement et dédain) Le grand art, c est la Sculpture. LE MOINE POÈTE Non pas, à la place d honneur ne doit s asseoir que Poésie. (avec religion) C est ma Dame et je suis son fervent serviteur. Votre art est bien grossier; D essence plus choisie Le Piète, fixant le vol de l esprit pur, L enferme, tout vibrant, aux vers d or et d azur. Gloire à la poésie! LE MOINE PEINTRE (fièrement) Le grand art, c est la Peinture! LE MOINE SCULPTEUR (rudement) Le grand art, c est la Sculpture! la Sculpture! LE MOINE PEINTRE … la Peinture! LE MOINE SCULPTEUR … la Sculpture! LE MOINE PEINTRE … la Peinture! LE MOINE SCULPTEUR Non! non! LE MOINE PEINTRE Non! LE PRIEUR (intervenant) Mes frères, calmons-nous. LE MOINE MUSICIEN (approchant) Pour moi, je me figure que mon art seul peut vous mettre d accord… (comme extasié) Voyez de quel ardent essor, Tandis que vous rampez à terre, La musique va droit au ciel… Voix de l inexprimable, écho du grand Mystère, C est l Oiseau Bleu qui vient du Rivage Eternel, Et c est la Blanche Nef sur l océan du Rêve… Que fait aux cieux un Séraphin? Il chante, encore, et toujours, et sans trêve. La Musique est un Art divin! LE MOINE PEINTRE (avec suffisance) Non, le grand Art, c est la Peinture! LE MOINE SCULPTEUR (avec suffisance) Non, le grand Art, c est la Sculpture! LE MOINE MUSICIEN (avec conviction) O Musique, Reine des arts! LE MOINE PEINTRE (avec dédain) Des maçons, les sculpteurs! Non! non! Le grand art, c est la Peinture! LE MOINE SCULPTEUR Des barbouilleurs, les peintres! Non! le grand art, c est la Sculpture! LE MOINE MUSICIEN (avec dédain) Un bavard, le Poète! Bavard! Bavard! Bavard! Bavard! O Poète!! bavard! LE MOINE POÈTE (avec conviction) Poésie, ô Reine des arts! (ironique) La musique adoucit les moeurs! voyez! O musique, Reine des arts! JEAN (avec effroi) Grand Dieu, grand Dieu, quelle tempête! quelle tempête! LE PRIEUR (suppliant) Mes frères! mes frères! (avec autorité) Calmons-nous! calmons-nous! Quoi, mes frères, dans cet asile la discorde! «Agitans discordia fratres, » c est le mot de Virgile. Par ordre d Apollon, par ordre de Prieur, Que la Muse à la Muse offre un baiser de sœur; (Les quatre rivaux s embrassent, mais de mauvais gré) Et venez tous à la chapelle, Aux pieds de Notre Dame, et plus humbles de cœur, La prier d accueillir son Image nouvelle. (Emportant la statue de la Vierge les Moines se retirent avec Le Prieur en rechantant l hymne; le Moine Musicien bat la mesure) LES MOINES (sauf Le Prieur, Boniface et Jean) Ave coeleste lilium, Ave rosa speciosa, In hac valle lacrymarum Da robur, fer auxilium. (Les Voix se perdent dans le silence du monastère. Jean et Boniface restent seuls. Jean assis, la tête dans ses mains. Boniface reprenant sa tâche en épluchant des légumes) JEAN (vague et pensif) Seul, je n offre rien à Marie. BONIFACE Va, ne les envie. Tous vois-tu, (en s animant) des orgueilleux Et le Paradis, ça n est pas pour eux! JEAN (avec un geste découragé) Le paradis! BONIFACE S il faut s enfler de gloire Quand je prépare un bon repas, Je fais œuvre aussi méritoire, Sculpteur, je le suis en nougats; Peintre, par la couleur si douce de mes crèmes; Un chapon cuit à point vaut, seul, mille poèmes, Et quelle symphonie à ravir terre et cieux Qu une table où préside un ordre harmonieux! JEAN (très convaincu) Certainement. BONIFACE (un peu fat) Mais pour plaire à Marie, Je reste simple. JEAN Simple, hélas, Je le suis trop… Elle aime qu on la prie En ce latin que je ne connais pas. BONIFACE Et moi si peu… Latin de cuisine… Est-ce là ton souci? (naïvement) La Vierge entend fort bien, va, le français aussi; Sa tendresse au besoin devine. Pour les humbles, Marie a des bontés de soeur; Et j ai lu dans un livre une histoire divine Où l on voit clairement qu elle a donné son coeur A la plus simple, à la plus humble fleur. Légende du "sagebush" «Marie avec l Enfant Jésus Par les monts, par les plaines fuit…» «Mais l âme essoufflé n en peut plus; «Et voici que là-bas, là-bas, au versant de la côte, ont apparu soudain Les sanglants cavaliers du Roi tueur d enfants.» (déchirant) «Mon fils, ô mon fils, où cacher ta faiblesse!» «Fleurissait une Rose au bord de chemin » «Sois bonne, belle Rose, à mon enfant pour s y blottir, Ouvre tout large ton calice. «Sauve mon Jésus de mourir.» «Mais de peur de froisser l incarnat de sa robe, L orgueilleuse répond «Je ne veux pas m ouvrir.» «Fleurissait une sauge au bord du chemin «Sauge ma petite saugette, Ouvre ta feuille à mon enfant. Ouvre à mon enfant.» «Et la bonne fleurette ouvre si bien sa feuille Qu au fond de ce berceau Jésus va s endormir…» JEAN (tendrement, à part) O miracle d amour! BONIFACE «Et la Vierge bénie entre toutes les femmes A béni l humble sauge entre toutes les fleurs.» (à part, très convaincu) La sauge est en effet précieuse en cuisine. JEAN (à part, les yeux au ciel, s exaltant) Si votre blanche main me bénissait un jour! (ardent) Vienne la mort, mourir sous vos yeux, quelle fête! BONIFACE (de belle humeur) Nous fêterons d abord le dîner que j apprête. (avec précipitation) Mais je cours à mon dindonneau… (revenant aussitôt) Car je plais à la Vierge en veillant au fourneau. Jésus n a-t-il pas, d un égal sourire, Reçu des Mages Rois l or, l encens et la myrrhe, Et du pauvre berger un air de chalumeau. (Il sort en courant) JEAN (resté seul et répétant vaguement les paroles de Boniface) Et du pauvre berger un air de chalumeau… (en extase, comme écoutant des voix célestes, à lui-même, à voix basse, avec une profonde émotion, parlé) Quel trait de soudaine lumière… (de même) et dans mon cœur quel émoi! (plus accentué dans l émotion) Il a raison… La Vierge n est pas fière Le Berger, le jongleur vaut à ses yeux le Roi. (avec ferveur et conviction) Vierge, mère d amour, Vierge, Bonté suprême, Comme à l air du berger souriait l Enfant-Dieu, (palpitant) Si le jongleur osait vous honorer de même, Daignez sourire au seuil des cieux! O Vierge! ô Vierge, mère d amour! (Jean reste dans cette attitude de pieuse invocation. Rideau. L Orchestre continue et l on enchaîne la Pastorale avec le 3e Acte) Massenet,Jules/Le Jongleur de Notre-Dame/III
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ネットワークに戻る RFC2616概要 HTTP/1.1 RFC6265概要 HTTP状態管理機構 パーセントエンコーディング（URLエンコード） URLで意味を持つコードと混同する日本語などのバイナリや特殊記号を16進形式にして、先頭に%を付加した文字に変換する。正確に言うと、非予約文字、予約文字以外を変換する。 項目 説明 非予約文字 ASCIIのコード範囲内の英字（大文字・小文字）、数字、ハイフン “-”、ピリオド “.”、アンダースコア “_”、チルダ “~” 予約文字 URIを表す符号。ASCIIのコード範囲内のコロン “ ”、スラッシュ “/”、疑問符 “?”、シャープ “#”、角括弧 “[”、“]”、単価記号 “@”、感嘆符 “!”、ドル記号・ペソ記号 “$”、アンパサンド “ ”、アポストロフィー・シングルクオート “ ”、丸括弧 “(”、“)”、アスタリスク “*”、正符号・加算記号 “+”、コンマ “,”、セミコロン “;”、等号 “=” name=%E8%8F%85%E7%9B%B4%E4%BA%BA UTF-8で、%E8%8F%85：菅, %E7%9B%B4 直, %E4%BA%BA 人 x-www-form-urlencoded(URLエンコード) POSTのフォームデータをエンコードする。%を付加する方式は、パーセントエンコーディングと同じ。パーセントエンコーディングの予約文字も変換している スペースは"+"に変換。Javaのソースを見ると、英数字、"-","_", ".","*"以外を変換する BASE64 Wikipediaより データを64種類の印字可能な英数字のみを用いて、それ以外の文字を扱うことの出来ない通信環境にてマルチバイト文字やバイナリデータを扱うためのエンコード方式 7ビットのデータしか扱うことの出来ない電子メールにて広く利用されている A–Z, a–z, 0–9 までの62文字と、記号2つ (+ , /) 、さらにパディング（余った部分を詰める）のための記号として = が用いられる 76文字ごとに改行コードが入る Cookie Wikipediaより クッキーを設定する際、どの要求に対してクッキー情報を送り返すのか、URLの範囲を指定する。 規定値は、クッキーを設定したサーバに対するすべての要求であり、対象を広げることも狭めることもできる。ただし広げる場合でも、トップレベルドメインより狭い範囲でなければならない。 またクッキーの有効期限は、通常はブラウザを終了するまでだが、指定した期限まではブラウザを再度起動しても保持されるように設定することができる。有効期限の情報も、サーバからブラウザにクッキー情報を送信する段階で付加される。 無期限という設定は出来ない。 詳細： http //www.studyinghttp.net/cookies リクエスト 全てテキスト。行(CRLF)で区切られる。 フォーマット リクエストラインは１行。ヘッダは複数行。 大項目 小項目 説明 リクエストライン メソッド GET,POST,PUTなどのどれか。 リクエストURL リクエストを処理するURI プロトコルバージョン HTTPのバージョン。【例】HTTP/1.1 ヘッダ HOST リクエスト先のホスト名。必須項目 空行 POSTのときにヘッダの終了を示すために挿入される メッセージボディ POSTのときにリクエストデータを出力する 【例】 GET http //example.jp/31/31-001.php HTTP/1.1 リクエストライン Host example.jp --+ User-Agent Mozilla/5.0 (Windows NT 5.1; rv 2.0.1) Gecko/20100101 Firefox/4.0.1 | Accept text/html,application/xhtml+xml,application/xml;q=0.9,*/*;q=0.8 +-- ヘッダ Accept-Language ja,en-us;q=0.7,en;q=0.3 | Accept-Encoding gzip, deflate | Accept-Charset Shift_JIS,utf-8;q=0.7,*;q=0.7 | Keep-Alive 115 | Connection keep-alive | Referer http //example.jp/31/ --+ Accept-CharsetでShift-JISの品質係数が１であるため、サーバは、Shift-JISでエンコードしたメッセージを返す。 POST http //example.jp/31/31-003.php HTTP/1.1 リクエストライン Accept image/gif, image/jpeg, image/pjpeg, image/pjpeg, application/vnd.ms-excel ヘッダ Referer http //example.jp/31/31-002.php Accept-Language ja User-Agent Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 1.1.4322; .NET CLR 2.0.50727; Inf oPath.1; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729) Content-Type application/x-www-form-urlencoded Accept-Encoding gzip, deflate Host example.jp Content-Length 65 Connection Keep-Alive Pragma no-cache name=%E8%8F%85%E7%9B%B4%E4%BA%BA mail=kan@aaa.jp gender=%E7%94%B7 メッセージボディ Hostヘッダ HTTP1.1では必須。POST/GETでのURIにHOSTを指定していなかった場合、Virtualホストを特定できない。そのためHostヘッダにHOST名を指定する。URIにホスト名があって、Hostヘッダにもホスト名がある場合はURIを優先する。URIにホスト名を指定することを強制すれば良いような気がするが。 Referer ヘッダの一種。リンク元のURLを示す。あるWebページのリンクをクリックして別のページに移動したときの、リンク元のページのこと。 改変、削除される場合があるので正しくリンクを示しているとは限らない。 セキュリティ上、問題となるのは、URLが秘密情報を含んでいる場合。たとえば、URLがセッションIDを含んでいる場合。なりすましに使われる可能性がある。 【例】 GET http //example.jp/31/31-002.php HTTP/1.1 Accept image/gif, image/jpeg, image/pjpeg, image/pjpeg, application/vnd.ms-excel, application/vnd.ms-powerpoint, appl ication/msword, application/x-shockwave-flash, application/x-ms-application, application/x-ms-xbap, application/vnd.ms -xpsdocument, application/xaml+xml, */* Referer http //example.jp/31/ Accept-Language ja User-Agent Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; .NET CLR 1.1.4322; .NET CLR 2.0.50727; Inf oPath.1; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729) Accept-Encoding gzip, deflate Host example.jp Connection Keep-Alive http //example.jp/31/のHTMLのaタグからリクエストが発生したため、Refererヘッダがつく。 レスポンス 全てテキスト。行で区切られる。 フォーマット ステータスラインは１行。ヘッダ、ボディは複数行。 大項目 小項目 説明 ステータスライン プロトコルバージョン ステータスコード 1XX 処理継続、2XX 正常終了、3XX リダイレクト、4XX クライアントエラー、5XX サーバエラー テキストフレーズ レスポンスヘッダ Content-Length ボディのバイト数 Content-Type MIMEタイプ; charset=エンコーディング 空行 ヘッダの終わりを示す ボディ 【例】 HTTP/1.1 200 OK Date Wed, 04 May 2011 04 51 51 GMT Server Apache/2.2.14 (Ubuntu) X-Powered-By PHP/5.3.2-1ubuntu4.2 Vary Accept-Encoding Content-Length 20 Keep-Alive timeout=15, max=100 Connection Keep-Alive Content-Type text/html; charset=UTF-8 body 13 51 /body Content-type メディアタイプを示すエンティティヘッダ（メッセージボディに対する付随情報）。type "/" subtype *( ";" parameter )であらわされる。text/html; charset=utf-8など。charsetを追加すると出力の文字コードを示す。HTML文書にapplication/octet-streamを付けると、 多くの場合、Webブラウザはそれをダウンロードするか否か問い合わせるようになる。 Apacheの場合は、httpd.confの以下の設定でcharsetを指定する。 AddDefaultCharset UTF-8 Tomcatでは、JSPのpageディレクティブで設定する。 %@ page language="java" contentType="text/html; charset=Windows-31J" pageEncoding="Windows-31J" % http //www.atmarkit.co.jp/fjava/rensai3/mojibake01/mojibake01.html 参照
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Dizionario Tecnico Italiano-Inglese S F Vanni? Renzo Denti? SFVanni? RenzoDenti? ジャンル別? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Italian-English-Italian Technical Dictionary Hoepli (Ulrico) Editore,Italy? Renzo Denti? Hoepli(Ulrico)Editore,Italy? RenzoDenti? ジャンル別? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Nonfiction-Education-LanguageInstruction? Subjects-Reference-ForeignLanguages? Subjects-Science-Technology-General&Reference Technical Dictionary English-Italian/Italian-English/Dizionario Technico Inglese-Italiano/Italiano-Inglese/Book and Plates/Tavole I B D Ltd? Giorgio Marolli? IBDLtd? GiorgioMarolli? ジャンル別? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-General? 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JungYong-Seock? Young-SooKwon? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Law? ユーズドブック(洋書)-Science? Subjects-Arts&Photography-GraphicDesign-Commercial-Advertising? Subjects-Arts&Photography-GraphicDesign-Commercial-General? Subjects-Business&Investing? Subjects-Law-IntellectualProperty-General? Subjects-Nonfiction-ForeignLanguageNonfiction-MoreLanguages-Korean? Subjects-Nonfiction-Law-IntellectualProperty-General? Subjects-Science-Technology-General&Reference Studies in Ancient Technology With 40 Figures and 10 Tables (Studies in Ancient Technology) Brill Academic Pub? R. J. Forbes? BrillAcademicPub? R.J.Forbes? ジャンル別? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Science? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-History-Europe-General? Subjects-History-Europe-Greece-General? Subjects-Home&Garden-InteriorDesign-General? Subjects-Professional&Technical-Architecture-InteriorDesign-General? 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Subjects-Science-Technology-General&Reference Studies in Ancient Technology With 46 Figures and 24 Tables (Studies in Ancient Technology) Brill Academic Pub? R. J. Forbes? BrillAcademicPub? R.J.Forbes? ジャンル別? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Science? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-History-Europe-General? Subjects-History-Europe-Greece-General? Subjects-Home&Garden-InteriorDesign-General? Subjects-Professional&Technical-Architecture-InteriorDesign-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Studies in Ancient Technology Heat and Heating - Refrigeration , the Art of Cooling and Producing Cold - Light (Studies in Ancient Technology) Brill Academic Pub? R. J. Forbes? BrillAcademicPub? R.J.Forbes? ジャンル別? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-History-Europe-General? Subjects-History-Europe-Greece-General? Subjects-Home&Garden-InteriorDesign-General? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-InteriorDesign-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Studies in Ancient Technology Ancient Geology - Ancient Mining and Quarrying - Ancient Mining Techniques (Studies in Ancient Technology) Brill Academic Pub? R. J. Forbes? BrillAcademicPub? R.J.Forbes? ジャンル別? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-History-Europe-General? Subjects-History-Europe-Greece-General? Subjects-Home&Garden-InteriorDesign-General? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-InteriorDesign-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Studies in Ancient Technology (Studies in Ancient Technology) Brill Academic Pub? R. J. Forbes? BrillAcademicPub? R.J.Forbes? ジャンル別? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-History-Europe-General? Subjects-History-Europe-Greece-General? Subjects-Home&Garden-InteriorDesign-General? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-InteriorDesign-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Thomas William Kinder and the Japanese Imperial Mint, 1868-1875 (Brill's Japanese Studies Library) Brill Academic Pub? Roy S. Hanashiro? BrillAcademicPub? RoyS.Hanashiro? ジャンル別? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Science? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-Business&Investing-Biographies&Primers-UnderstandingMoney? Subjects-History-Asia-Japan? Subjects-Home&Garden-Antiques&Collectibles-Coins&Medals? Subjects-Home&Garden-InteriorDesign-General? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-Economics-EconomicHistory? Subjects-Nonfiction-Economics-Money&MonetaryPolicy? Subjects-Professional&Technical-Architecture-InteriorDesign-General? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory? Subjects-Professional&Technical-Accounting&Finance-Economics-Money&MonetaryPolicy? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Pazuzu Archaologische Und Philologische Studien Zu Einem Alt-Orientalischen Damon (Ancient Magic and Divination) Brill Academic Pub? Nils P. Heebel? BrillAcademicPub? NilsP.Heebel? ジャンル別? ユーズドブック(洋書)-Religion&Spirituality? Subjects-History-Africa-AfricanStudies? Subjects-History-Ancient-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Religion&Spirituality-NewAge-Divination-General? Subjects-Religion&Spirituality-NewAge-General? Subjects-Religion&Spirituality-Occult-General? Subjects-Religion&Spirituality-Occult-Magic? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Dictionary of Scientific and Technical Terminology English, German, French, Dutch, Russian Kluwer Academic Pub? A. S. Markov? KluwerAcademicPub? 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